Shirley Frimpong-Manso almost binned "Rebecca," the best African two-cast, one-location movie you have probably ever seen.
During
an interview with Pulse Nigeria, the Ghanaian filmmaker revealed that
the last time she was nervous about tackling a subject was "Rebecca."
"It
was a two-cast movie and I know that the film audience in Africa
gravitate more towards light subjects. I have done films long enough to
know this," Frimpong-Manso said.
"I think also, people come into the cinema
to try to escape. They want fun, exciting stuffs so they can escape.
That’s not to say that the script [Rebecca] wasn’t fun, but this is like
two characters, and I thought: ‘how is this going to be received?’"
Despite her
nervousness, Shirley was also really excited about the movie because it
was different and a new territory for her as a filmmaker.
"Till
today, “Rebecca” is actually very close to my heart because I had to do
a lot of writing. This is just two people, there’s nobody else, you
know.
"And the entire movie is driven by conversation, it is driven by dialogue, and it needed to be right."
Everytime the filmmaker comes across anyone who loves the movie, it makes her day.
"It
makes my day because this is a project that I went through a lot
making. So yes, it was done and I think it was done very well, and
people loved it. There’s an audience for it, even if it is unique."
About the movie "Rebbecca"
Abandoned and lost in the middle of a deserted road, an egotistic proper city guy (Clifford) gets a rude awakening when he begins to realize that his only companion, a timid looking village girl (Rebecca) who he had been forced to marry only a few hours earlier, is anything but ordinary.
That's the plot for "Rebecca," a movie that features Yvonne Okoro and Joseph Benjamin.
Shirley
was very scared about the reactions she was going to get from people,
and while it has been more of positive reviews, some of the reactions
haven’t been great.
"And I’m not surprised," she said. "I guess the surprises come from the fact that a lot more people have loved it than I thought they would."
The filmmaker was
nervous about having to depend on just two actors to bring it home: if
they failed to deliver, then she really won't have a movie.
"I
remember there were many times during the shoot that I wasn’t even sure
I was getting the best out of my cast. And I have to be very honest,
after “Rebecca,” I didn’t go start post-production immediately."
Frimpong-Manso described the shoot as a very exhausting and challenging one.
"We
shot in the middle of nowhere, we had to travel three hours a day to
get to the place, and we would have to carry generators to the place and
the generators wouldn’t work. It would rain, and we were just left
bare.
"There were so many days when we couldn’t shoot, and we began to think that perhaps, the movie was actually jinxed.
So
I was really nervous, afterwards I left it. For several months I didn’t
touch it. I kept feeling afraid that what if I went to the editing bed
and I didn’t like it, and I was ready to bin it.
But when she eventually started editing, it started coming together. "And it was beautiful," she said.
Frimpong-Manso is popular for "Love or Something Like That," "Potomanto," "Devil in the Detail" and "A Sting in the Tale."
She is set to debut her latest movie "Potato Potahto" - a humorous take on divorce - on November 24, 2017, in cinemas nationwide.
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